出生年份: 1963~2014年
擅 长: 油画
毕业院校: 山西晋中师专
创作年代 | 2004年作 | 尺寸 | 60*50cm |
---|---|---|---|
材质 | 装裱 | ||
题材 | 所属系列 | 今日中国艺术家·忻东旺:村民列传 | |
作品描述 | 模特来到教室大多是比较拘谨,我常常是先和模特聊聊,等模特放松后往往会流露出她们习惯的动作和能够很好体现她们精神状态的表情与姿势,也就是比较自然了,如果某一瞬正好契合你的感觉,那模特就算是摆好了。 通过和她们短暂的交流,得知这年轻女子是从内蒙来京学唱歌,境况的原因,她是边做模特边学唱歌。心中的热爱和理想与举目无亲的现实,产生了突发性的反应,构成一种惊世骇俗的心理。这一身打扮足以让她或者是让别人清醒地意识到她职业的特征和气质,她穿得很奇特,但我不知算不算时尚,我想这打扮对于这个女孩子来说一定是意义非同寻常,我主观断定她是来北京才买得这衣裳。其实她是怕自己迷失了方向而举起的旗帜。中年的女人显然是见过世面的,也很在意打扮。从她微微抽动的鼻翼我感觉到她对站在自己旁边的这位年轻女子的轻蔑,但又暗暗隐藏着一种自卑。而青年女子表现得很镇定,我似乎为她的镇定而捏了一把汗。她或许看不到她身旁的这位大姐就是自己未来的影子。但是中年妇女早已嫉妒般地为自己逝去的青春而忧伤,尽管她的表情流露出一丝不屑。 我用蠕动的笔触点亮了青年女子衣服上粉红色毛饰的高光,并体验她那火焰般的纹样。我不愿忽略任何细节与她追求音乐的联想。困境中的浪漫是可贵的,艰难中的理想更是闪光的。我以细腻的笔触小心翼翼地捍卫着她脆弱的尊严。与之相衬的是中年妇女充满矛盾的心理,她微微发胖的身材与时髦的服饰激烈地冲突着,虽然她新纹的眉毛跳动出不逊的神色,但空洞的目光掩盖不了内心的屈服。作为女人她们更懂得都市繁华背后的冷漠与残酷。“入时”便是她们本能的应对。^_^Whenamodelcomesintotheclassroomatthefirsttime,sheisrestrainedandrigid.Ialwaystalktoherandhaveaneasyconversationtomakeherrelax.Whensheisrelaxed,itispossibleandsimpleforhertoactinherusedmannerandrevealunfeignedmentalstate.Itiseasytoposeandshowheremotionalappearanceandbodyposture.Itisnatural.IfinatwinkleIcatchthecomfortablepose,itmeansthemodelisinrightconditionforpainting. IlearnedtheyoungladywasstudyingPekingOperafromtheInnerMongolianAutonomousRegionafterasmallchat.Becauseofthefinancialproblem,sheworkedasamodelforliving.ShelovedPekingOperaandwantedtotakeitasherlifelongcareer.Butthehelplessnessandthehardnessoflifemadeherkeenlyfeelpain,whichwasaconflictandagreatchallengeforhertosavetheloveofherideal.Thecontrastwassogreatthatgeneratedaparoxysmalreaction.Shewascrazy.Itwasamazing.Herdresswasbreathtaking.Whatsheworegavepeopleaclearideaofwhatwereheroccupation,hervocationalcharacterandherpersonality.Shewassounique.Ididnotknowwhetheritcouldbecalledvogue.Ithoughtitwasquiteextraordinaryforagirltodressuplikethat.Itmustmeansomuch.IjudgedsubjectivelythatsheboughthersuitsinPeking.Itwasthesignofherdreadofmissingherselfinmetropolishumanlustbrimming.Themiddle-agedwomanseemedtobematureandknowmuchabouttheworld.Shewasintentionallydressingup.Theslightsnortofhermademefeelthatshewasreallookingdownupontheyounggirlstandingbyherside.Andshewasalittleself-contempt.Oncontrary,theyoungladywassocalmandtookease.ButIwasworriedaboutthepeaceshepretendedtohave.Shemightnotforecastthattheolderbesideherwasasampleofherforeseeableandulteriorfuture.Butthewomanalreadyfellintothedeepsadandgloomyforhergloriousyouthgonewithsomejealousyandgrudge.Shegaveascornfulshowwithhergreatefforttohideout. Ipaintedthebrightpinkspotontheyounglady’swoolornamentofhercoatwithunsteadilybrushwork.Itriedtosensetheemotionoftheflamepattern.Iwouldnotmissorneglectanydetailthatmighthavesomeimaginationallinkwithherpursuitonmusic.Theromanticactioninpredicamentforhumanideawassovaluableandscarcity.Theideapursuingarduouslywasbrilliantandglorious.Imanagedtoprotectherbrittledignitysensitivelywithmyexquisitebrushes.Thedilemmaoftheolderwomanwasapsychologicalfoiltoher.Herslightroundbodyandherfashionabledresswerenotmatchingandwereambivalent.Thereweresomeimpertinentlooksonherstabbedeyebrows.Theholloweyeswerenotabletoconcealhersubmission.Theyweremorecomprehensiveandskillfultofacethecoolandthebloodinessatthebacksideofflourishingcitiesasfemale.“Vogue”wasthewordtodepicttheirinstinctivereactivity. |
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